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1. Title: A juriconsult giving sexual advice
2. Form: Illustration
3. Text: Nefḥat ül-ezhār
4. Label: This illustration depicts a mufti, having heard a complaint from a mother about her son-in-law’s inability to consummate his marriage to her daughter, giving sexual advice.

Heft-ḫvān

1. Title: A king looking at a picture of his son and his tutor, who fell in love with him
2. Form: Illustration
3. Text: Heft-ḫvān

Sobḥet ül-ebkār

1. Title: Two lovers spared from being beheaded due their loyalty for each other
2. Form: Illustration
3. Text: Sobḥet ül-ebkār

Nefḥat ül-ezhār

1. Title: A sodomite disgraced
2. Form: Illustration
3. Text: Nefḥat ül-ezhār
4. Label: This illustration depicts a sodomite being disgraced before a crowd by drums and a Turkish wind instrument (zurna).

Nefḥat ül-ezhār

1. Title: Two men caught in bed together
2. Form: Illustration
3. Text: Nefḥat ül-ezhār

An erotic (Homosexual) Qajar lacquer Mirror-Case

Qajar Period, Iran
19th century
Size: 10.5 x 7.2 cm
Sold at Bonhams auction
Source: [1]

This mirror case is of rectangular form with removable cover, decorated in polychrome and gilt with a spray of roses to the reverse, a perching parrot to the cover and a male couple in an erotic embrace to the interior, the borders with a frieze of scrolling floral vines.

In fairy tales around the world

Vítězslav Kocourek: Za pohádkou kolem světa

Illustrated by Helena Zmatlíková. Prague 1957.

Men engaging in anal sex

Men engaging in anal sex, 

1660-1720 
Materials and technique: Gouache on paper 

These two paintings are possibly from Safavid period (1501-1736), although it is more likely that they was created during Qajar period (1794-1925).

نقاشی دو مرد همجنسگرای صفوی یا قاجاری

These images have been painted in an archaizing Safavid style. Usually, Qajar artists associated erotic scenes with the Safavid period. According to the museum's website, "The gold-painted accents, facial features, Chinese-inspired rolling clouds and the use of colored papers are all indications of the Safavid painting tradition. However, it is thought that it is likely that this work dates from the later Qajar period. The reason, apparently, according to the museum is that many erotic images were intentionally painted this way in hopes of attracting foreign collectors into paying more for its perceived antiquity.